Mirror Muqarnas

There are creations that belong to the present moment, and there are creations that transcend it. Mirror Muqarnas belongs to the latter. Born from the luminous heart of Islamic tradition, it speaks in the language of geometry and reflection — a dialogue between earth and heaven, matter and spirit, the broken and the whole.

In the sacred spaces of Persia, artisans once took shards of Venetian mirrors, broken in passage, and arranged them into dazzling geometries that multiplied light into infinity. This art — Ayeneh Kari — was not mere ornament, but meditation: an affirmation that even fracture can become beauty, that from imperfection arises order, that light, when divided, becomes more radiant still.

Wujoude’s Mirror Muqarnas carries this legacy into a new medium. Here, glass is transfigured into sterling silver, platinum and gold, geometry into adornment, domes into rings. At its heart lies the Rub’ al Hizb — the ancient eight-pointed star, a compass of faith and harmony. From it radiates an array of mirror-polished facets, triangles cut with precision, polished until they shimmer like celestial constellations on the hand.

But more than form, Mirror Muqarnas is philosophy. It is a call to presence — a reminder that light is both seen and felt, both outward and inward. It is a proclamation of hope: that which is broken can be reimagined, that pain can give way to brilliance, that the best is always yet to come.

To wear a piece from this collection is to carry a fragment of the infinite, to let geometry become prayer, and to allow light itself to rest upon the skin.